Patekar’s monologue, which questions the colour of one’s blood as a universal equaliser, serves as the thematic core of this installation. In a sterile corridor lined with meticulously arranged blood bags, the installation evokes the stark reality that our biological essence remains indistinguishable across cultures, races, and identities. The scene aims to disassemble artificial constructs of difference, compelling visitors to recognise the uniformity underlying all human appearances.
At the heart of the installation is a TV screen that loops Patekar’s monologue. This repetition is intentional—it’s a constant reminder, playing on the viewer’s mind, pushing them to reexamine the societal norms that have encouraged us to differentiate. The twist of the installation is that it forces us to confront the banal truth that difference is an illusion we perpetuate. It’s a visceral tribute to the monologue and the broader idea of human equality. It also encourages the audience to reflect on how we subconsciously “Spot the Difference” in our daily lives. This exhibit draws on the childhood game Spot the Difference, reimagining it as a metaphor for how, over time, we’ve internalised the urge to compare and classify. 

Featuring Nana Patekar's dialogue about the sameness of blood, this room emphasises the universality of human experience despite outward differences. Posters and other elements will present subtle variations, challenging viewers to "spot the difference" and contemplate the thin line between perceived distinctions and inherent commonalities.

This room contrasts the colourful world outside with its black-and-white interior, symbolising the fading of the past. It features an old-style phone booth and a vintage circus, both of which have become obsolete due to modern technology. The stark black-and-white setting inside emphasises the loss of traditional ways of connecting and enjoying simple pleasures, while the colourful exterior suggests the changing priorities of the world.

This room is inspired by an Indian bride waiting alone on her wedding night and combines elements from the story of Little Red Riding Hood. A wolf’s silhouette lurks at the window, adding a sense of danger and vulnerability. Visitors throughout the room “spot the difference" effect, with objects like chairs, tables, and lamps appearing in varying sizes, creating a surreal and distorted perception of space. This illusion emphasises the unsettling emotions and shifting perspectives that women often experience.

This room is designed to resemble an art gallery, creating an illusion of heaven that makes it unclear whether the deceased is the wife or the husband. The gallery-like setting showcases artwork that evokes feelings of emptiness and waiting, symbolising the limbo experienced after losing a loved one. The space invites contemplation, blurring the lines between life and death and visually representing the lingering sense of loss.